Linux desktops have clearly matured and become useful for daily media production, including graphics-intensive media. Tons of Web pages are authored and updated from Linux typically with desktop tools such as Bluefish and GIMP, as well as Perl and PHP-based server-side content management systems.
Linux tools work well in heterogeous systems
Built on open standards, Linux Web tools also tend to work well in heterogenous environments, where they can help glue diverse systems such as Windows- or Mac-based content management to Apache-based Web servers. The blog at gulker.com works in just this way using (formerly) xawtv (now tvtime), GIMP, and Mozilla to place framegrabs, graphics, and text.
I think it's likely that Linux desktops daily produce as many Web pages as, say, the top 100 daily newspapers, and Linux-oriented sites alone -- Slashdot, NewsForge, Linux Journal et al. -- have tens of millions of unique visitors monthly, putting them in a circulation class with major national print publications. Linux may have a small number of desktop users, but those users are highly productive. All the Linux pubs put together likely have less staff than any single paper on the top 100 list.
While Linux and the Web grew up together, the Linux desktop has also become useful for print media. TeX, the typesetting computer language originally developed on a DEC minicomputer in 1980, is alive and well on Linux. In March, India's largest phone company used TeX and a PostgreSQL database to turn out 400,000 copies of the two-volume telephone directory for Thiruvananthapuram, the capital of Kerala province. The project, which had required 50 people and six months' time using conventional print production technology, was accomplished in four months by a smaller team using Linux.
While TeX and the LaTeX app continue to be widely used for developing technical, scientific, and mathematical documentation, Linux has also made gains in areas requiring more user-friendly WYSIWIG applications and print-focused features and utilities.
Color management always a key issue
One area where other platforms, notably the Mac, have an advantage is mature applications for handling CMYK (cyan, magenta, yellow, and black) color, which is the color model used in printing. CMYK image files -- referred to as "color separations" in the trade -- are surprisingly complicated and difficult to master. The GIMP, at least prior to the 2.0 release, only works in RGB color, the model used by the human eye, computer monitors, and Web graphics. While there is at least one GIMP plug-in, Separate, to convert RGB to CMYK, and some workarounds using GIMP's channels feature, nothing on Linux matches Adobe Photoshop and other proprietary apps for CMYK capabilities.
However, a new open source page layout application called Scribus helps solve that problem by taking advantage of the PDF file format. PDF, particularly a variant called PDF/X, has emerged as the standard format for print production. Virtually every magazine, newspaper, and color ad is delivered to its printer as a high-resolution PDF file that contains a mix of vector and raster data.
Scribus gives users a Quark Xpress- or Adobe InDesign-like pasteboard interface for making up publications such as magazines and newsletters. In the process, Scribus can embed RGB bitmapped graphics files in the documents (using an XML-based native format) before exporting them to PDF format. Scribus also takes advantage of the open source littlecms libraries to provide color management -- called CMS in the trade -- a crucial step toward guaranteeing color fidelity throughout the scanning, layout, and output process. CMS systems use open color standards to match the color space of, say, a scanner or digital camera to a monitor or printing press via various color-matching algorithms and lookup tables.
PDF files that contain RGB image files can be converted to CMYK by a RIP -- Raster Image Processor -- a computer that is used to drive the laser plate maker that makes the CMYK plates that will be mounted on the printing press. The most modern digital presses dispense with the platemaker and write directly to printing drums using technologies not unlike those used by office laser printers. Ghostscript, it should be noted, is popular with RIP makers because of its low cost and large feature set.
One advantage of this approach is that the RGB color gamut is, in practice, much larger than the CMYK gamut that is left post-conversion. The same PDF/RGB file may be able to be RIPped for a wide variety of output devices (four-color offset press, digital press, high-end ink jet), whereas each of those output media would require a separate CMYK file for optimum quality. This is particularly important for applications such as advertising, where the same ad layout might be placed in a newspaper or magazine, or on a bus card, billboard, or other large space. The PDF/RGB file can, in theory, fill all three bills with proper attention to issues such as image resolution and color management.
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Oookay...
Posted by: Anonymous Coward on December 13, 2003 01:41 AMAnd to me (as a professional graphic designer), the lack of spot colour support is just as bad as the lack of CMYK. 90% of retail packaging (for example) uses specific Pantone inks, and designers need software that can handle them in combination with process inks. If I had to rely on RGB PDFs, I wouldn't last a day in my job.
"But can publishers resist open source for long?" Answer: as long as there is absolutely no Open Source equivalent of Photoshop, Illustrator, and InDesign. Duh!
Paul
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